We’re thrilled to announce a complete re-design of the American Cinematheque website. See The New Site Now >
MY GOLDEN DAYS
TROIS SOUVENIRS DE MA JEUNESSE
2015, Magnolia Pictures, 123 min, France, Dir: Arnaud Desplechin

Mathieu Amalric reprises the role of Paul Dédalus from Arnaud Desplechin’s MY SEX LIFE … OR HOW I GOT INTO AN ARGUMENT in this origin story. Paul, now an anthropologist, prepares to leave Tajikistan and reflects on his life in a series of flashbacks covering three periods: his troubled childhood in Roubaix (newcomer Quentin Dolmaire portrays Paul as an adolescent); his trip to the U.S.S.R., where a clandestine mission led him to offer up his own identity to a young Russian; and university life, with its shifting circle of friends and their casual betrayals. But most of all, he remembers Esther (Lou Roy-Lecollinet), the beautiful, rude, haughty love of his life. An SACD Award winner at the 2015 Cannes Film Festival.


ISMAEL’S GHOSTS
LES FANTÔMES D’ISMAËL
2017, Magnolia Pictures, 135 min, France, Dir: Arnaud Desplechin

Twenty-one years ago, she ran away; now Carlotta (Marion Cotillard) is back from the void. But Ismael (Mathieu Amalric) has been busy rebuilding a life for himself with Sylvia (Charlotte Gainsbourg) and working on his next feature film. As Ismael's trials and tribulations unfurl, so too do those of the film-within-a-film’s protagonist: the idle, funny and reckless diplomat Ivan Dédalus (Louis Garrel), who, in a nod to earlier Desplechin films, is the brother of recurring character Paul Dédalus. With ISMAEL’S GHOSTS, Desplechin returns once more to the past and proves yet again that his brand of genius lies in his ability to find light in the darkest of places. This is the full-length director’s cut of the film, 20 minutes longer and markedly different in tone from the version that premiered at the Cannes Film Festival.


RUST AND BONE
DE ROUILLE ET D’OS
2012, Sony Pictures Classics, 120 min, France, Dir: Jacques Audiard

Single father and would-be kickboxer Ali (Matthias Schoenaerts) is working as a nightclub bouncer when he meets Stephanie (Marion Cotillard), who works at a marine park training killer whales. When Stephanie’s legs are amputated after an accident, she draws closer to Ali, but the young man’s wandering eye and financial straits threaten to keep these soulmates apart. Cotillard’s bravura performance has earned awards from the Hollywood and Telluride Film Festivals as well as SAG and Golden Globe nominations. “A passionate and moving love story which surges out of the screen like a flood tide” – Peter Bradshaw, The Guardian. In French with English subtitles.


Syndicate content