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1989, 90 min, Dir: Fabrizio De Angelis

Italy in the 1970s and ’80s was a paradise of ambitious cheapo knockoffs like KILLER CROCODILE, which fits squarely in the post-JAWS, giant-animal-run-amok rip-off subgenre yet is so much more. Written and directed by Lucio Fulci’s longtime producer Fabrizio De Angelis, the film tells the story of a crocodile grown to unnatural proportions (by way of toxic chemical dumping) that wreaks havoc on a river community. Shot back-to-back with its sequel, KILLER CROCODILE 2, the film stars Richard Anthony Crenna (son of RAMBO franchise icon Richard Crenna). The scenic authenticity of its Dominican Republic locations mixes deliriously with its rubbery croc gore to provide a one-of-a-kind cinematic feast.

1989, 88 min, Dir: Luigi Cozzi

The devil isn’t fiddling around with this one! Director Luigi Cozzi (CONTAMINATION, HERCULES) opens the gates of hell with this blast of supernatural heavy-metal horror. When an all-girl rock group uses an infamous piece of sheet music written by Paganini for their new album, they unknowingly activate a portal to the underworld and find themselves trapped. Co-written by and starring Daria Nicolodi (DEEP RED) and featuring a guest appearance by Donald Pleasance.

1982, Blue Underground, 85 min, Italy, Dir: Lucio Fulci

Quack! Quack! Quack! A killer stalks the streets of the City That Never Sleeps, targeting young women at random. Leaving no clues other than that he “sounds like a duck,” it's up to a grizzled cop and a psychoanalyst to decode the quacking. Following up his zombie quadrilogy, director Lucio Fulci's ultra-violent grindhouse giallo/slasher hybrid slices up the Big Apple into bloody pieces. A true slab of sleaze cinema so vile that only showering immediately afterward will help you feel clean.

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