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OUT OF SIGHT
1998, Universal, 123 min, USA, Dir: Steven Soderbergh

Meet Jack Foley (George Clooney), a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco (Jennifer Lopez) is a Federal Marshal who chooses all the right moves ... and all the wrong guys. Now they're willing to risk it all to find out if there's more between them than just the law. With Ving Rhames, Don Cheadle, Albert Brooks and Catherine Keener. Edited by Anne V. Coates. "OUT OF SIGHT, a sly, sexy, vastly entertaining film version of Elmore Leonard’s playful crime novel, represents director Steven Soderbergh’s most ambitious and most accomplished work to date. Brimming with a dozen offbeat characters, this reflexively witty crime caper boasts the sort of bright, snappy dialogue that’s rarely heard in a mainstream picture." - Emanuel Levy, Variety.


JACKIE BROWN
1997, Park Circus/Miramax, 154 min, USA, Dir: Quentin Tarantino

Jackie Brown (Pam Grier) supplements her meager income as a stewardess by smuggling cash into the U.S. for gun runner Ordell Robbie (Samuel L. Jackson) - until the day she gets busted at the airport. The cops pressure her to help them bring down Ordell, threatening prison if she refuses. With a sympathetic bail bondsman, Jackie arrives at a bold plan to play the opposing forces against each other. But matters get complicated by Ordell's confederates (Robert De Niro and Bridget Fonda), who have agendas of their own. Edited by Sally Menke.


MURDER À LA MOD
1968, DistribPix, 80 min, USA, Dir: Brian De Palma

Rarely seen after its initial release in a single New York theater, Brian De Palma’s feature debut is a stylish murder mystery set in the adult-film business in 1960s New York City. Exhibiting many of the same styles and thematic preoccupations that the auteur would soon be famous for, the film is a thrilling homage to great genre films before it, equal parts Powell’s PEEPING TOM, Kubrick’s THE KILLING and Hitchcock’s PSYCHO. The story begins when seedy filmmaker Christopher (Jared Martin) tries to trick his girlfriend, aspiring actress Karen (Margo Norton), into starring in one of his partner’s skin flicks. Obstructing his plans is the bizarre prankster Otto (William Finley), who stalks the building where they’re shooting. In Hitchcockian fashion, Christopher’s luck runs out when a series of seemingly unconnected events leads to a shocking murder scene.


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