We’re thrilled to announce a complete re-design of the American Cinematheque website. See The New Site Now >
I’M YOUR WOMAN
2020, Amazon Studios, 120 min, USA, Dir: Julia Hart

Suburban housewife Jean (Rachel Brosnahan, “The Marvelous Mrs. Maisel”) lives a seemingly easy life, supported by husband Eddie’s (Bill Heck) career as a thief. But when Eddie betrays his partners, Jean and her baby are forced to go on the run, and Eddie’s old friend Cal (Arinzé Kene) is tasked with keeping them safe. After Cal mysteriously disappears, Jean befriends his wife Teri (Marsha Stephanie Blake) and the two women set out on a perilous journey into the heart of Eddie’s criminal underworld. A decidedly female take on crime dramas of the 1970s, I’M YOUR WOMAN is a tale of love, betrayal, motherhood - and what it takes to claim your life as your own.


PERDITA DURANGO
DANCE WITH THE DEVIL
1997, 129 min, Mexico/Spain, Dir: Álex de la Iglesia

Álex de la Iglesia's first English-language feature stars Rosie Perez as Perdita Durango, whose trip to Mexico is sidelined by all-purpose felon Romeo Dolorosa (Javier Bardem). Perdita's new beau traffics human fetuses to Las Vegas where they're turned into cosmetics; naturally they need a couple of human sacrifices to do the job right. But nothing goes according to plan as law enforcement and Dolorosa's underworld associates converge on the pair. Shocking, satirical and action-packed, this road movie offers plenty for Perez and Bardem to sink their teeth into, and they're supported by a great cast including James Gandolfini, Screamin' Jay Hawkins and Santiago Segura.


KAJILLIONAIRE
2020, Focus Features, 106 min, USA, Dir: Miranda July

From acclaimed writer-director Miranda July comes a profoundly moving and wildly original comedy. Con-artists Theresa (Debra Winger) and Robert (Richard Jenkins) have spent 26 years training their only daughter, Old Dolio (Evan Rachel Wood), to swindle, scam and steal at every opportunity. During a desperate, hastily conceived heist, they charm a stranger (Gina Rodriguez) into joining their next scam, only to have their entire world turned upside down. "As in ME AND YOU AND EVERYONE WE KNOW - where July also explored the universal human craving for connection - the wryly observant storyteller embraces a sense of everyday eccentricity while keeping her film’s feet firmly on the ground." - Peter Debruge, Variety.


Syndicate content