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OKJA
2017, Netflix, 120 min, South Korea/USA, Dir: Bong Joon Ho

A decade after biotech CEO Lucy Mirando (Tilda Swinton) launches a contest to raise the world’s finest genetically designed “super pig,” South Korean farm girl Mija (Ahn Seo-hyun) learns that her super pig, Okja, has won the title. When Okja is hauled off to be exhibited in New York City, Mija undertakes a rescue mission that puts her in league with the Animal Liberation Front – and into the clutches of the profit-minded Mirando Corporation. An imaginative adventure with friendship and humanity’s nearsightedness at its center, OKJA is a moving reminder that courage can take small forms.


MEMORIES OF MURDER
SALINUI CHUEOK
2003, CJ Entertainment, 132 min, South Korea, Dir: Bong Joon Ho

Inspired by the first serial murders in South Korea’s modern history, this engrossing crime story is marked with textural richness and tonal finesse. After two women are found raped and murdered in quick succession, rural detectives Park and Cho (Song Kang-ho and Kim Roi-ha) are tasked with finding the killer. Their crude methods ill-suited to the job, the pair are soon joined by an urban detective who proposes to solve the case by subtler means. Gripping throughout and laced with the humor of a bumbling cop routine, MEMORIES OF MURDER invites surprise up to its final frame.


THE HOST
GWOEMUL
2006, Magnolia Pictures, 120 min, South Korea, Dir: Bong Joon Ho

Much more than just a monster movie, Bong Joon Ho’s third film spans the intimate and the epic, the personal and the political, in a fantastical tale about the lengths to which a family will go in recovering one of its own. Due to the negligence of a U.S. military installation, an amphibian beast emerges from Seoul's Han River, wreaking havoc on city residents and abducting the daughter of riverfront vendor Park Gang-du (Song Kang-ho). With the help of his elderly father, listless brother and archery medalist sister, Park races against time for save the girl while government authorities concoct their own, ecologically reckless means of vanquishing the creature. “A loopy, feverishly imaginative genre hybrid.” – Manohla Dargis, The New York Times.


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