APPOINTMENT WITH DANGER
1951, Paramount, 90 min, Dir: Lewis Allen

Taciturn and tight-lipped Alan Ladd stars as a relentless postal investigator who infiltrates the ruthless gang that murdered his co-worker; his only ally is a reluctant nun (Phyllis Calvert) who was the sole witness to the crime. The stellar supporting cast includes Paul Stewart, Jan Sterling and future “Dragnet” partners Jack Webb and Harry Morgan - as a pair of ruthless killers! Filmed on location in Chicago and Gary, Indiana. Don’t miss this ultra-rare 35mm print!


THE TURNING POINT
1952, Paramount, 85 min, USA, Dir: William Dieterle

Prosecutor Edmond O’Brien leads a government probe into a crime syndicate headed by sinister Ed Begley, but he’s hamstrung by pervasive political corruption. Crusading reporter William Holden agrees to assist - while he and O’Brien vie for the attention of a loyal Alexis Smith. The hard-edged script (based on an unpublished novel by Horace McCoy) is a real-life lift from the Kefauver Committee’s exposé of organized crime on the national level. Bunker Hill, Angel’s Flight and Olympic Auditorium all accentuate the period realism. Co-starring Tom Tully, Ted de Corsia and Ray Teal. Presented in a new digital restoration by Paramount Pictures, created specifically for NOIR CITY!


CHICAGO DEADLINE
1949, Universal, 86 min, USA, Dir: Lewis Allen

Alan Ladd is a newspaper reporter obsessed with a young woman he finds dead in a cheap brothel. Connecting the dots all around Chicago, he cobbles together the sad history of a good girl (Donna Reed) gone wrong. Incredibly rare, not screened for decades before being resurrected by the Film Noir Foundation, the film makes excellent use of various Chicago locales (shot by the great John F. Seitz) to tell a tawdry, ink-stained variation of LAURA. Featuring a terrific supporting cast, including June Havoc, Irene Hervey, Arthur Kennedy and Berry Kroeger.


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