KING KONG (1976)
1976, Paramount, 134 min, Dir: John Guillermin

Oil executive Charles Grodin and paleontologist Jeff Bridges set sail for a previously unexplored island, where they discover a gigantic ape; Jessica Lange (in her feature debut) is the beauty who charms the beast. Produced by Dino De Laurentiis, this hit remake takes a lighter tone than the original, and Rick Baker and Carlo Rambaldi’s work bringing Kong to life earned the film a visual effects Oscar. “The moviemaking team has come up with a pop classic that can stand in our affections right next to the original version.” - Pauline Kael, The New Yorker.


THE PARALLAX VIEW
1974, Paramount, 102 min, USA, Dir: Alan J. Pakula

Impetuous reporter Warren Beatty’s hunt for a political assassin turns more and more terrifying as each successive layer of corruption and right-wing insanity is unpeeled. When he enlists in a program to recruit social misfits as political killers-for-hire, the narrative assumes cosmically paranoid dimensions. A daringly downbeat, uncompromising speculation on how far the advocates of repression will go, co-written by Lorenzo Semple Jr. With Paula Prentiss, William Daniels, Hume Cronyn. "Its visual organization is stunning. … Excellent performances; fascinating film." - Time Out (U.K.)


THREE DAYS OF THE CONDOR
1975, Paramount, 117 min, USA, Dir: Sydney Pollack

Robert Redford is a mild-mannered CIA clerk forced into action when he returns from a lunch break to find all of his coworkers dead. As he tries to discover the truth behind the murders, he finds himself on the run from assassins and engaged in an unlikely romance with Faye Dunaway in Pollack’s intricate, fast-paced political thriller, scripted by Lorenzo Semple Jr.


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