OLD BOYFRIENDS
1979, Rialto Pictures, 103 min, USA, Dir: Joan Tewkesbury

Dianne Cruise (Talia Shire), a psychiatrist in the midst of an identity crisis and a doomed marriage, goes on a road trip to reconnect with boyfriends from her past in an effort to better understand herself. The men she encounters include Keith Carradine, Richard Jordan and John Belushi. Tewkesbury makes a charming directorial debut with this insightful drama penned by Leonard and Paul Schrader.


BLUE COLLAR
1978, Universal, 114 min, USA, Dir: Paul Schrader

Paul Schrader’s directorial debut is one of his best pictures and remains one of the most searing accounts ever of the urban working man’s life in America. Harvey Keitel, Richard Pryor and Yaphet Kotto are auto plant workers and best friends who are less than happy with their severely corrupt union. When their nocturnal burglary of the union’s safe nets cash along with a startling revelation of cooked books - kickbacks, payoffs and collusion with organized crime - the lives of the three comrades become a nightmare of looking-over-their-shoulders paranoia. The director co-wrote the screenplay with his brother, Leonard Schrader (THE YAKUZA), and the amazing original score is by Jack Nitzsche (PERFORMANCE), with an unforgettable hard blues-rock opening-credits song warbled by none other than Captain Beefheart. A film comparable in street credibility and manic energy to Scorsese’s MEAN STREETS - if you have never seen this, it is not to be missed. "Very probably the most clear-sighted movie ever made about the ways that shopfloor workers get f*****d over by 'the system.'" - Time Out (UK)


MISHIMA: A LIFE IN FOUR CHAPTERS
1985, Janus Films, 121 min, USA/Japan, Dir: Paul Schrader

The tumultuous life of Japanese writer Yukio Mishima serves as the subject for what many consider director Paul Schrader’s masterpiece. To a score by Philip Glass, the film interweaves several narratives (each with its own distinctive look) drawn from Mishima’s youth, his novels and the attempted coup that ended in his ritual suicide. “The most unconventional biopic I've ever seen, and one of the best.” – Roger Ebert. In Japanese and English with English subtitles.


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