THE SCARLET HOUR
1956, Paramount, 95 min, USA, Dir: Michael Curtiz

Nearing the end of his legendary career, Michael Curtiz produced and directed this intricately plotted L.A.-based crime thriller headed by a cast of new discoveries. A tony seductress (Carol Ohmart) and her lover (Tom Tryon) overhear plans for a jewel robbery, and believe the scheme will be their deliverance from Ohmart’s possessive husband (James Gregory). Highlights include a guest appearance by Nat King Cole singing “Never Let Me Go” in the Crystal Room of the Beverly Hills Hotel. Culled from the Paramount vault, this 35mm print remains one of the least seen film noirs of the 1950s, featuring Curtiz’s use of the then-new Fujinon camera lens. You’ll only see this at NOIR CITY!


DARK CITY (1950)
1950, Paramount, 98 min, USA, Dir: William Dieterle

The murder of a fellow grifter following a fixed poker game leads a small-time gambler (Charlton Heston, in his feature debut) to track down a psychopathic killer bent on revenge. The complex tale, ranging from Los Angeles to Las Vegas, is evocatively directed by William Dieterle (PORTRAIT OF JENNIE, THE HUNCHBACK OF NOTRE DAME) and features film noir’s favorite throaty thrush, lovely Lizabeth Scott. Co-starring Viveca Lindfors, Dean Jagger, Don Defore, Ed Begley and Harry Morgan.


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