THE PROWLER
1951, Crystal Pictures, 92 min, USA, Dir: Joseph Losey

A perverse, provocative film about a corrupt cop (Van Heflin) who sexually dominates a married woman (Evelyn Keyes) for material gain. Oh yeah, he murders her husband in the process - then marries her. And she ends up giving birth in a Nevada ghost town. Hands down, Keyes’ best performance. Heflin’s desperate pursuit of his skewed vision of the American Dream lingers in the memory – potent, haunting and disturbingly similar to today’s headline news. A rediscovered masterpiece not to be missed!


JEALOUSY
1945, Republic, 71 min, USA, Dir: Gustav Machatý

A perky female cabbie (Jane Randolph) gets embroiled in a dangerous triangle involving her suicidal writer husband (Nils Asther) and an aloof, high-toned doctor (John Loder) who takes a shine to her. Director Machatý, known for the scandalous 1933 ECSTASY, concocts a dreamy, off-kilter tale that touches all the tropes of “B” passion plays while also depicting the displacement of European artists adrift in sunbaked Hollywood. Part bargain-basement loopiness, part experimental art film ... and, not surprisingly, the last film the artistically inclined Machatý made in America. Featuring Karen Morley (at her best!) and Hugo Haas.


ALWAYS
1989, Universal, 122 min, USA, Dir: Steven Spielberg

Based on the WWII drama A GUY NAMED JOE, this moving fantasy-romance is among director Steven Spielberg’s most underrated films. Warned by girlfriend Holly Hunter and colleague John Goodman that he takes too many risks, aerial firefighter Richard Dreyfuss resolves to take a safer job - but one last mission turns him from a pilot into a guardian angel. Audrey Hepburn costars in her final big-screen appearance.


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