SYMPHONY FOR A MASSACRE
SYMPHONIE POUR UN MASSACRE
1963, Pathe, 115 min, France/Italy, Dir: Jacques Deray

Jacques Deray’s masterful heist noir is a brilliantly choreographed tale of greed and betrayal, with familiar faces (Charles Vanel, Michel Auclair, Michele Mercier) in various stages of intrigue. Deray handles the action with metronomic precision, beautifully accented by a magnificent score from Michel Magne. Pathé’s 4K restoration is flawless in its rendering of Deray’s masterful design, revealing the crisp, astringent camerawork of Claude Renoir (son of Jean). Come see the brilliant beginnings of one of France’s finest directors of the past half-century!


CLASSE TOUS RISQUES
THE BIG RISK
1959, Rialto Films, 110 min, France/Italy, Dir: Claude Sautet

Lino Ventura delivers an awesome performance (maybe his best) as Davos, a gangster in the twilight of his career, on the run from the mob with his wife and family. Jean-Paul Belmondo (hot off his star turn in BREATHLESS) co-stars as a young hood who comes to Ventura’s aid. Brilliantly scripted by Jose Giovanni, based on a story he had heard in prison. “In addition to its crisp action sequences, the film has an excellent sense of place, showing us Paris, Nice and the small villages and French countryside between. … One of the things that makes CLASSE TOUS RISQUES distinctive are the palpable emotional connections it makes with its characters. Though he is the hardest of hard cases, Davos cares deeply about his family, and the feelings of regret, sadness and desperation that cross his face are just one of the factors that make this film the classic it is.” - Kenneth Turan, Los Angeles Times. In French with English subtitles.


Syndicate content