THE SCARLET HOUR
1956, Paramount, 95 min, USA, Dir: Michael Curtiz

Nearing the end of his legendary career, Michael Curtiz produced and directed this intricately plotted L.A.-based crime thriller headed by a cast of new discoveries. A tony seductress (Carol Ohmart) and her lover (Tom Tryon) overhear plans for a jewel robbery, and believe the scheme will be their deliverance from Ohmart’s possessive husband (James Gregory). Highlights include a guest appearance by Nat King Cole singing “Never Let Me Go” in the Crystal Room of the Beverly Hills Hotel. Culled from the Paramount vault, this 35mm print remains one of the least seen film noirs of the 1950s, featuring Curtiz’s use of the then-new Fujinon camera lens. You’ll only see this at NOIR CITY!


DESTINATION MOON
1950, Wade Williams, 91 min, USA, Dir: Irving Pichel

Producer George Pal’s rarely screened classic helped usher in the sci-fi boom of the 1950s and featured amazingly realistic depictions (for the time) of manned space flight and lunar landing, aided by German rocket expert Hermann Oberth (who worked on Fritz Lang’s similarly futuristic DIE FRAU IM MOND in 1929). Starring John Archer (WHITE HEAT), Warner Anderson and Tom Powers. Academy Award winner for Best Special Effects.


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