FREUD
1962, Universal, 140 min, USA, Dir: John Huston

Montgomery Clift delivers his last truly great performance as the father of psychoanalysis in this fascinating biopic, in which his theories coalesce around the treatment of a patient (Susannah York) in late-1880s Vienna. The film’s original screenwriter, philosopher Jean-Paul Sartre, left following creative differences; his successors, Charles Kaufman and Wolfgang Reinhardt, earned an Oscar nomination for their script (as did Jerry Goldsmith for his score). Just as noteworthy is the work of cinematographer Douglas Slocombe, who gives the various dream and fantasy sequences their own distinctive look.


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