OKJA
2017, Netflix, 120 min, South Korea/USA, Dir: Bong Joon Ho

A decade after biotech CEO Lucy Mirando (Tilda Swinton) launches a contest to raise the world’s finest genetically designed “super pig,” South Korean farm girl Mija (Ahn Seo-hyun) learns that her super pig, Okja, has won the title. When Okja is hauled off to be exhibited in New York City, Mija undertakes a rescue mission that puts her in league with the Animal Liberation Front – and into the clutches of the profit-minded Mirando Corporation. An imaginative adventure with friendship and humanity’s nearsightedness at its center, OKJA is a moving reminder that courage can take small forms.


MOTHER (2009)
MADEO
2009, Magnolia Pictures, 129 min, South Korea, Dir: Bong Joon Ho

In a small South Korean town, an intellectually disabled man (Won Bin) follows a young woman (Moon Hee-ra) down an empty street at night; when the woman is found dead the next morning, authorities summarily charge him with the murder. Only the man’s mother (Kim Hye-ja), an unlicensed acupuncturist, is convinced of his innocence. As she pieces together the night of the murder and the cast of characters surrounding it, no measure seems too drastic to protect the son whose condition she has always lamented. Starkly shot and arrestingly unpredictable, MOTHER stretches parental love to its extremes, tempering violent passages with Bong’s characteristic flashes of humor.


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