PURPLE NOON
PLEIN SOLEIL
1960, Janus Films, 117 min, France/Italy, Dir: René Clément

Alain Delon was at his most impossibly beautiful when PURPLE NOON made him an instant star. He plays Tom Ripley, a duplicitous American charmer in Rome on a mission to bring his privileged, devil-may-care acquaintance Philippe Greenleaf (Maurice Ronet) back to the United States. What initially seems a carefree tale of friendship soon morphs into a thrilling saga of seduction, identity theft and murder. This ripe, colorful adaptation of Patricia Highsmith’s vicious novel The Talented Mr. Ripley is crafted with a light touch that allows it to be at once suspenseful and erotic, and features some gorgeous location photography of coastal Italy.


L'ECLISSE
ECLIPSE
1962, Janus Films, 126 min, Italy/France, Dir: Michelangelo Antonioni

The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L'AVVENTURA and LA NOTTE) tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon). Using the architecture of Rome as a backdrop for the doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of connection in an alienating modern world.


CASQUE D’OR
1952, Janus Films, 96 min, France, Dir: Jacques Becker

Do not miss this sublime masterpiece of romantic French cinema - simultaneously a heartbreaking adult fairy tale and an impressionist rendering of the turn-of-the-century Parisian underworld. The fleeting moments of shared love and erotic passion between Serge Reggiani and Simone Signoret are genuine poetry - moments cut short by the jealous machinations of others.


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