THE DEAD DON’T DIE
2019, Focus Features, 103 min, USA/Sweden, Dir: Jim Jarmusch

In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable and animals are beginning to exhibit unusual behaviors. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die - they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival. The horror comedy features the greatest zombie cast ever disassembled, including Jarmusch regulars (Bill Murray, Adam Driver, Chloë Sevigny, Tilda Swinton, Iggy Pop, Steve Buscemi, Tom Waits) and newcomers to the fold (Selena Gomez, Danny Glover, Caleb Landry Jones, Carol Kane) in a raucous, rueful and satirical glimpse at American habits and desires at the end of the world.


LOUDER THAN BOMBS
2015, The Orchard, 109 min, Norway/France/Denmark/USA, Dir: Joachim Trier

In director Joachim Trier’s first feature in English, war photographer Isabelle Reed (Isabelle Huppert) - whose work has taken her to the most dangerous places in the world – dies in a car accident just a few miles from her New York home. She leaves a grief-stricken husband, Gene (Gabriel Byrne), and sons Jonah (Jesse Eisenberg) and Conrad (Devin Druid). Three years later, working on a retrospective of Isabelle’s photography, Gene tries to enlist his sons’ help, but Jonah is overwhelmed by his marriage and a new baby, and hard-hit teenager Conrad has withdrawn into the world of computer games. “A family drama of extraordinary beauty.” - Joe Morgenstern, The Wall Street Journal.


PATERSON
2016, Amazon Studios, 113 min, France/Germany/USA, Dir: Jim Jarmusch

Paterson (Adam Driver) is a bus driver in the city of Paterson, New Jersey - they share the name. Every day, Paterson adheres to a simple routine: He drives his daily route, observing the city as it drifts across his windshield and overhearing fragments of conversation swirling around him; he writes poetry in a notebook; he walks his dog; he stops in a bar and drinks exactly one beer; he goes home to his wife, Laura (Golshifteh Farahani). By contrast, Laura’s world is ever-changing. New dreams come to her almost daily, each a different and inspired project. Paterson loves Laura and she loves him. He supports her newfound ambitions; she champions his gift for poetry. The film quietly observes the triumphs and defeats of daily life, along with the poetry evident in its smallest details.


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