GIRL ON THE THIRD FLOOR
2019, 93 min, Dir: Travis Stevens

Travis Stevens has been producing genre films for over 20 years; his grand and gruesome directorial debut is a gooey haunted-house tale dripping with atmosphere and boasting incredible practical VFX. WWE superstar-turned-leading man CM Punk stars as Don Koch, a family man with a fair share of skeletons in his closet, who has purchased a rundown mansion, which he plans to renovate before moving his heavily pregnant wife in. However, the mansion harbors a few skeletons of its own. When a flirty neighborhood woman starts dropping by unannounced, Don must contend with his conscience, all the while tearing apart a house that seems intent on returning the favor.


MOHAWK
2017, MPI Media, 91 min, Dir: Ted Geoghegan

With a carefully crafted, historically informed milieu populated with true monsters and complex heroes, this tragic, tense and timely survival thriller won’t soon be forgotten. Set during the latter half of the War of 1812, MOHAWK follows Oak (Kaniehtiio Horn) and Calvin Two Rivers (Justin Rain), along with their British lover Joshua (Eamon Farren), as they’re relentlessly pursued by vengeful American soldiers through the dense forests of upstate New York. Caught in the crossfire between the British Empire and America, the powerful Mohawk nation stands neutral - until an impulsive attack on an American encampment by Calvin Two Rivers emboldens its racist leader, Hezekiah Holt, to destroy all Mohawks in his path.


SOUTHBOUND
2015, 87 min, USA, Dir: Roxanne Benjamin, David Bruckner, Patrick Horvath, Radio Silence

Produced by the team behind the successful V/H/S franchise, this anthology shocker features five dark, intertwining stories emanating from a desolate desert highway. Fan favorites Radio Silence return to prove yet again that a high concept can prove terrifying, while Roxanne Benjamin moves from producing to directing and shines in her debut, delivering a creepy tale of a band lost and found on this demonic road. David Bruckner (currently prepping the new FRIDAY THE 13TH film) delivers an absolutely ferocious tale that may keep you from driving ever again. The filmmakers all shared story ideas throughout production, creating unique worlds for each segment that mesh into an additive story - not since CREEPSHOW has the anthology format felt so fresh.


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