BULLFIGHTER AND THE LADY
1951, Paramount, 124 min, USA, Dir: Budd Boetticher

Beautiful, doom-laden story of a brash American (Robert Stack) entering the traditional world of Mexican toreros; Gilbert Roland is stunning as Stack’s older mentor. The first of Boetticher’s great bullfighting films. With Joy Page, Katy Jurado.


NIGHT HAS A THOUSAND EYES
1948, Universal, 81 min, USA, Dir: John Farrow

Edward G. Robinson gives a doom-laden performance as a bogus carnival mentalist who suddenly becomes cursed with the ability to actually see into the future - and he sees a dreadful fate for his best friend's daughter. A flower crushed underfoot, a sudden wind, a clock striking 11, the paw of a lion ... what does it all mean? Director John Farrow, always at his most stylish in noir terrain, adapts from the novel by master of suspense Cornell Woolrich (REAR WINDOW). Costarring Gail Russell and John Lund, with darkly evocative camerawork by John F. Seitz.


JOHNNY GUITAR
1954, Republic (Paramount), 110 min, USA, Dir: Nicholas Ray

Joan Crawford is headstrong Vienna, a saloon owner waiting for the railroad to reach her town. Her friendship with charming outlaw the Dancing Kid (Scott Brady) jeopardizes her standing in the local community. Uptight landowners led by jealous Emma (a frightening Mercedes McCambridge) will do anything to repress her yen for the Kid, even if it means lynching half the town to do it. Enter Vienna’s old flame, Johnny (Sterling Hayden), a quick-draw who’s given up guns for a guitar. Only director Nicholas Ray could pull off this color-coded, violent, romantic tall tale rife with allegorical references to the rabid right wing of 1950s America. Victor Young did the lush score, with Peggy Lee singing the torrid theme song. Co-starring Ward Bond, Ernest Borgnine, John Carradine.


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