HARRY AND THE HENDERSONS
1987, Universal, 110 min, USA, Dir: William Dear

For decades, people have scoured the Pacific Northwest in search of Bigfoot and come up empty-handed…until George Henderson (John Lithgow) accidentally hits one of the creatures with his car. Discovering that “Harry” is a gentle giant, George tries to return him to the wilderness before a hunter (David Suchet) can get to him. An Oscar winner for Rick Baker’s makeup work, this amusing family fantasy spun off a syndicated TV sitcom. With Melinda Dillon, Don Ameche and M. Emmet Walsh.


AMERICAN GRAFFITI
1973, Universal, 110 min, USA, Dir: George Lucas

In the middle of the Vietnam- and Nixon-obsessed days of the early 1970s, director George Lucas and producer Francis Ford Coppola switched gears radically with this tender, nostalgic look at drive-ins, drag races and the death of doo-wop in a Northern California town in 1962. Richard Dreyfuss, Ron Howard, Paul LeMat, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips and Harrison Ford head a cast of almost complete newcomers, in one of the most purely personal (and phenomenally successful) films of the New Hollywood era.


RETURN TO OZ
1985, Disney, 113 min, USA, Dir: Walter Murch

Legendary film editor and sound designer Walter Murch directs this pleasantly subtle and delightfully bizarre sequel to THE WIZARD OF OZ. After a disturbing stint in a mental hospital, a cherubic Dorothy (Fairuza Balk) gets washed away to Oz, only to find it a changed place. Menacing Wheelers swivel around a broke-down Emerald City, vain witch Mombi covets her walk-in chamber of human heads, and a nefarious Nome King has wreaked terror on the land. With the help of new friends (the adorable Tik Tok and hapless, affable Jack Pumpkinhead), Dorothy sets out once again to save Oz from seemingly insurmountable villains.


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