DILLINGER
1973, Park Circus/MGM, 107 min, USA, Dir: John Milius

For his feature directorial debut, high-powered screenwriter John Milius crafted an action-packed biopic about Depression-era criminal John Dillinger, because “of all the outlaws, he was the most marvelous.” Warren Oates is marvelous himself in the title role, with Harry Dean Stanton and Richard Dreyfuss as members of his gang, Ben Johnson as the FBI agent on Dillinger’s trail and Cloris Leachman as “the Lady in Red” who led the notorious gangster to his bloody end at a Chicago movie theater.


HARRY AND THE HENDERSONS
1987, Universal, 110 min, USA, Dir: William Dear

For decades, people have scoured the Pacific Northwest in search of Bigfoot and come up empty-handed…until George Henderson (John Lithgow) accidentally hits one of the creatures with his car. Discovering that “Harry” is a gentle giant, George tries to return him to the wilderness before a hunter (David Suchet) can get to him. An Oscar winner for Rick Baker’s makeup work, this amusing family fantasy spun off a syndicated TV sitcom. With Melinda Dillon, Don Ameche and M. Emmet Walsh.


AMERICAN GRAFFITI
1973, Universal, 110 min, USA, Dir: George Lucas

In the middle of the Vietnam- and Nixon-obsessed days of the early 1970s, director George Lucas and producer Francis Ford Coppola switched gears radically with this tender, nostalgic look at drive-ins, drag races and the death of doo-wop in a Northern California town in 1962. Richard Dreyfuss, Ron Howard, Paul LeMat, Charles Martin Smith, Cindy Williams, Candy Clark, MacKenzie Phillips and Harrison Ford head a cast of almost complete newcomers, in one of the most purely personal (and phenomenally successful) films of the entire New Hollywood era.


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