2011, Oscilloscope Laboratories, 112 min, UK/USA, Dir: Lynne Ramsay

This suspenseful and gripping psychological thriller explores the fractious relationship between a mother and her evil son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller). Based on the best-selling novel of the same name, WE NEED TO TALK ABOUT KEVIN explores nature vs. nurture on a whole new level as Eva’s own culpability is measured against Kevin’s innate evilness. Ramsay’s masterful storytelling simultaneously combines a provocative moral ambiguity with a satisfying and compelling narrative, which builds to a chilling, unforgettable climax.

2017, Amazon Studios, 89 min, UK/France/USA, Dir: Lynne Ramsay

Based on the noir novella by Jonathan Ames, this thriller hurtles viewers headlong into the psychological breakdown of a troubled mercenary named Joe (Cannes Best Actor winner Joaquin Phoenix), a former U.S. soldier turned FBI agent, who now devotes his considerable capacity for violence to the rescue of kidnapped young women. When his latest assignment to retrieve a senator’s daughter (Ekaterina Samsonov) goes brutally wrong, Joe’s tightly controlled world spirals into chaos, and he is forced to confront his inability to save anyone - least of all himself. “No shot or cut here is idle or extraneous. … In a Lynne Ramsay film, even the off-key elements are perfectly chosen; an exquisite, anxious study in damage, YOU WERE NEVER REALLY HERE knows exactly the value of its scars.” - Guy Lodge, Variety.

2017, Focus Features, 130 min, USA, Dir: Paul Thomas Anderson

Renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion in the 1950s, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. With his latest film, Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey, and the women who keep his world running. Nominated for six Oscars including Best Picture, Best Director, Best Actor, Best Supporting Actress, Best Original Score and Best Costume Design.

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