LE MONTE-CHARGE
1962, Gaumont, 90 min, France/Italy, Dir: Marcel Bluwal

A highly fruitful collaboration between actor-director Robert Hossein and hard-boiled novelist Frédéric Dard (THE WICKED GO TO HELL, BLONDE IN A WHITE CAR) comes to an end with this spooky sendup of ELEVATOR TO THE GALLOWS, where ex-con Hossein returns to his old criminal haunts on Christmas Eve only to hook up with a mysterious, alluring woman (Lea Massari) whose circumstances become more complicated and bizarre as the evening progresses. In the midst of the “elevating” terror, one senses director Bluwal’s tongue subtly in cheek.


SALVADOR
1986, Park Circus/MGM, 123 min, UK/USA, Dir: Oliver Stone

Disenfranchised U.S. photojournalist Ricky Boyle (James Woods) throws himself and reluctant party buddy James Belushi into the turmoil of the 1980 Central American military dictatorship, winding up caught between the rebels and his own CIA. John Savage and Michael Murphy co-star. Boyle and Stone were nominated for Best Original Screenplay.


CHAIR DE POULE
HIGHWAY PICKUP
1963, 107 min, France/Italy, Dir: Julien Duvivier

Legendary director Julien Duvivier (PÉPÉ LE MOKO) was nearing the end of his illustrious career, but he saved one of the best for last in this taut tale of fate, lust and enveloping entrapment. Robert Hossein is a thief on the lam who jumps from frying pan into the fire when he holes up at a highway truck stop and is quickly embroiled in the grasping schemes of a hard-bitten, voluptuous vixen (Catherine Rouvel) who will stop at nothing to get what she wants! Costarring Jean Sorel and Jacques Bertrand, with photography from Léonce-Henri Burel, longtime right-hand man of Robert Bresson. In French with English subtitles.


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