FRANTIC
1988, Warner Bros., 120 min, France/USA, Dir: Roman Polanski

Harrison Ford, in one of his best performances, plays an American surgeon visiting Paris for a medical conference when his wife vanishes from their hotel room. Receiving no help from local authorities, he follows his only clue - a piece of errant luggage - to a streetwise young woman (Emmanuelle Seigner) who also lost her bag at the airport. Featuring a tense Ennio Morricone score, this is a thriller worthy of Alfred Hitchcock, and one of Polanski’s most underrated films.


THE GOOD, THE BAD AND THE UGLY (Extended Version)
(IL BUONO, IL BRUTTO, IL CATTIVO)
1966, MGM/Park Circus, 179 min, Italy, Spain, West Germany, Dir: Sergio Leone

From the opening whistle and whipcrack theme, to the final images of a vast cemetery stretching almost to infinity, THE GOOD, THE BAD & THE UGLY is surely one of the bloodiest, funniest and most wickedly entertaining portraits of human corruption ever made. Leone’s surreal masterpiece of the American West during the last days of the Civil War follows a trio of equally violent and unrepentant gunslingers (Clint Eastwood, Eli Wallach and Lee Van Cleef) who engage in a jawdropping series of double- and triple-crosses to get their hands on a fortune in stolen Confederate gold.


THE GOOD, THE BAD AND THE UGLY
(IL BUONO, IL BRUTTO, IL CATTIVO)
1966, Park Circus/MGM, 161 min, Italy, Spain, West Germany, Dir: Sergio Leone

From the opening whistle-and-whipcrack theme to the final images of a vast cemetery stretching almost to infinity, THE GOOD, THE BAD AND THE UGLY is surely one of the bloodiest, funniest and most wickedly entertaining portraits of human corruption ever made. Leone’s surreal masterpiece of the American West during the last days of the Civil War follows a trio of equally violent and unrepentant gunslingers (Clint Eastwood, Eli Wallach and Lee Van Cleef) who engage in a jaw-dropping series of double and triple crosses to get their hands on a fortune in stolen Confederate gold.


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