A KISS BEFORE DYING
1956, Park Circus/MGM, 104 min, USA, Dir: Gerd Oswald

Social-climbing college student Bud Corliss (Robert Wagner) is determined to marry into money – but his girlfriend’s pregnancy could derail his plans. That’s when Bud truly becomes a ladykiller. This rare Cinemascope color noir, based on the Edgar-winning novel by Ira Levin, reveals the psychosis lurking beneath the American affluence of the Eisenhower era. Filmed on location in Tucson, Arizona, and co-starring Jeffrey Hunter, Virginia Leith, Joanne Woodward and Mary Astor.


THE HIGHWAYMEN
2019, Netflix, 132 min, Dir: John Lee Hancock

The outlaws made headlines. The lawmen made history. From director John Lee Hancock (THE BLIND SIDE), this untold true story follows the legendary detectives who brought down Bonnie and Clyde. When the full force of the FBI and the latest forensic technology aren’t enough to capture the nation’s most notorious criminals, two former Texas Rangers (Kevin Costner and Woody Harrelson) must rely on their gut instincts and old-school skills to get the job done. Costarring Kathy Bates and Kim Dickens.


CONFIDENTIALLY YOURS
VIVEMENT DIMANCHE!
1983, Janus Films, 110 min, Dir: François Truffaut

In François Truffaut’s delightfully entertaining tribute to Hitchcock, a businessman (Jean-Louis Trintingnant) is wrongly accused of murder, and while he goes on the lam his secretary (Fanny Ardant) tries to find the real killer. Gorgeous black-and-white photography by Nestor Almendros and a witty screenplay (by Truffaut and frequent collaborators Suzanne Schiffman and Jean Aurel, adapting hardboiled American writer Charles Williams’ The Long Saturday Night) make this one of the director’s most enjoyable efforts.


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