UNIT 7
GRUPO 7
2012, 96 min, Spain, Dir: Alberto Rodríguez

In advance of the 1992 World Exhibition in Seville, four cops are asked to clear the streets of drug trafficking; among them are Angel (Mario Casas) and Rafael (Antonio de la Torre). But the streets they work hold both dangers and temptations, and the bribery, violence and intimidation these two men encounter on the job put them on very different paths. Strong lead performances and a nuanced script ground this stylish film noir/cop thriller, which is based on real-life incidents. UNIT 7 also benefits from outstanding cinematography, its gritty tones ramping up the intensity of the moral conflict (and some pretty spectacular chase sequences). Winner of the Goya for Best Cinematography. In Spanish with English subtitles.


DRESSED TO KILL
1980, Park Circus/MGM, 105 min, USA, Dir: Brian De Palma

In this obsessive and beautifully made thriller, a killer stalks two very different women. Considered by many to be Brian De Palma's finest film. With Michael Caine, Angie Dickinson, Nancy Allen and Dennis Franz.


THE WOMAN IN THE WINDOW
1944, MGM/Park Circus, 107 min, USA, Dir: Fritz Lang

Gotham College professor Richard Wanley (Edward G. Robinson) becomes obsessed with a woman’s portrait in the window near his men’s club. While admiring the painting, he meets the flesh-and-blood subject (Joan Bennett) and is willingly lured up to her apartment for some Champagne. The woman’s boyfriend bursts in, gets the wrong idea, a lethal scuffle ensues, and before you can say “poor sap,” Wanley agrees to dump the body and cover up the death. Much like in SCARLET STREET, Robinson and director Fritz Lang make a great team, with Robinson perfectly evoking the dangerous pathos of a middle-aged man tempted by youth.


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