CHICAGO
2002, Park Circus/Miramax, 113 min, USA/Germany/Canada, Dir: Rob Marshall

At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Catherine Zeta-Jones) and spotlight-seeking Roxie Hart (Renée Zellweger) find themselves sharing space on Chicago's famed Murderess Row. They also share Billy Flynn (Richard Gere), the town's slickest lawyer, who has a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend! Based on the Bob Fosse stage musical, the film won six Academy Awards, including Best Picture, with supporting performances by John C. Reilly (as Hart’s gullible husband) and Queen Latifah (as a corrupt jail matron) garnering additional Oscar nominations.


CLIMAX
2018, A24, 95 min, France, Dir: Gaspar Noé

The setting is France in 1996; Daft Punk has just redefined music and the dance community has responded with a visceral new language as violent as it is beautiful. As a group of dancers unwinds at a remote lodge, an acid-spiked punch turns hedonism into horror, and the gathering quickly descends into Lord of the Flies territory. Sofia Boutella (THE KINGSMAN: THE SECRET SERVICE) stars as Selva, the troupe's manager, with some of France’s hottest dancers (including Claude Gajan Maull, Vince Galliot Cumant and Thea Carla Schott) surrounding her. Filled with bravura sequences, the relentlessly immersive onslaught that is CLIMAX reaffirms Gaspar Noé’s status as one of contemporary film’s greatest provocateurs.


HAIR
1979, Park Circus/MGM, 121 min, West Germany/USA, Dir: Milos Forman

Milos Forman’s adaptation of the tribal rock musical stars John Savage as Claude, a quiet young man from the Midwest who becomes friendly with a group of New York hippies as he's on his way to begin basic training in the military. The repressed Claude is quite taken with Berger (Treat Williams) and the group of freedom seekers who reside in Central Park. The group encourages Claude to go after a debutante named Sheila (Beverly D'Angelo). Legendary choreographer Twyla Tharp masterminded the dances, which flow from the natural settings of the film. With most of the better-known songs from the original play, including “Aquarius,” “Let the Sunshine In,” “Good Morning Starshine” and the title number.


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