HOLY CAMP!
LA LLAMADA
2017, Film Factory, 108 min, Spain, Dir: Javier Ambrossi, Javier Calvo

In this delightful musical, aspiring teen reggaeton singers María (Macarena García) and Susana (Anna Castillo) just want to have a good time, and a mandatory trip to the Catholic camp La Brújula seems far from fun. But after an encounter with God (Richard Collins-Moore) - who turns out to have a musical side of his own - the girls find that their dreams and their religion might not be mutually exclusive. A smash hit in Spain, HOLY CAMP! earned five Goya nominations and a win for Best Original Song (“La Llamada”).


CHICAGO
2002, Park Circus/Miramax, 113 min, USA/Germany/Canada, Dir: Rob Marshall

At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Catherine Zeta-Jones) and spotlight-seeking Roxie Hart (Renée Zellweger) both find themselves sharing space on Chicago's famed Murderess Row. They also share Billy Flynn (Richard Gere), the town's slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there's only room for one legend! Based on the Bob Fosse stage musical, the film won six Academy Awards, including Best Picture, with supporting performances by John C. Reilly (as Hart’s gullible husband) and Queen Latifah (as a corrupt jail matron) garnering additional Oscar nominations.


CLIMAX
2018, A24, 95 min, France, Dir: Gaspar Noé

The setting is France in 1996; Daft Punk has just redefined music and the dance community has responded with a visceral new language as violent as it is beautiful. As a group of dancers unwinds at a remote lodge, an acid-spiked punch turns hedonism into horror, and the gathering quickly descends into Lord of the Flies territory. Sofia Boutella (THE KINGSMAN: THE SECRET SERVICE) stars as Selva, the troupe's manager, with some of France’s hottest dancers (including Claude Gajan Maull, Vince Galliot Cumant and Thea Carla Schott) surrounding her. Filled with bravura sequences, the relentlessly immersive onslaught that is CLIMAX reaffirms Gaspar Noé’s status as one of contemporary film’s greatest provocateurs.


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