LUZ
2018, 70 min, Germany, Dir: Tilman Singer

Shooting on luscious 16mm Scope, first-time feature writer-director Tilman Singer crafts a revelatory experimental shocker, with a dual ’70s arthouse and horror sensibility: Think Fulci by way of Zulawski. Bloodied and bruised, Chilean cab driver Luz (Luana Velis) stumbles into a near-empty police station on a stormy night. Elsewhere, her childhood friend Nora (Julia Riedler) seduces a psychologist with alcohol; by the time the doctor is ushered into the police station, it’s obvious there’s more to him than meets the eye. As Luz is repeatedly forced to rehash the events leading up to her arrival at the station, it becomes clear that something truly sinister is afoot, with life-and-death implications.


ALL THE COLORS OF THE DARK
TUTTI I COLORI DEL BUIO
1972, Severin Films, 94 min, Italy/Spain, Dir: Sergio Martino

Adding an occult flavor to Italy’s giallo sub-genre, Sergio Martino diverged from the straight-razor serenade of Dario Argento’s black-gloved killers for this psychedelic nightmare. Undisputed giallo queen Edwige Fenech stars as Jane, who is plagued by recurring dreams of a knife-wielding maniac. When medication and psychotherapy fail to alleviate the visions, she turns to magic. But the black mass (conducted by Italian genre heavy Ivan Rassimov) backfires and her nightmares become all too real. Also featuring giallo regulars George Hilton and Susan Scott, ALL THE COLORS OF THE DARK is a kaleidoscopic frenzy of murder and madness bathed in an acid-rock score by Bruno Nicolai.


HALLOWEEN (2018)
2018, Universal, 109 min, USA, Dir: David Gordon Green

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter executive produces and serves as creative consultant on this film, joining forces with cinema’s current leading producer of horror, Jason Blum (GET OUT, SPLIT, THE PURGE, PARANORMAL ACTIVITY). Inspired by Carpenter’s classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 shocker.


Syndicate content