HOCUS POCUS
1993, Buena Vista Pictures, 96 min, USA, Dir: Kenny Ortega

Over 300 years ago, the Sanderson sisters (Bette Midler, Sarah Jessica Parker and Kathy Najimy) were executed in Salem, Massachusetts, for witchcraft, but they swore to return. On Halloween, new kid in town Max (Omri Katz) lights a cursed candle that resurrects the witches, who seek to steal the lives of Salem's children. Now Max, his sister Dani, his crush Alison and Thackery Binx, a child who was turned into a cat by the witches, must stop the evil before it's too late.


THE MAGIC FLUTE
TROLLFLÖJTEN
1974, Janus Films, 134 min, Sweden, Dir: Ingmar Bergman

Director Ingmar Bergman shot Mozart's last operatic masterpiece for Swedish television in 1973, all on a studio lot in which the famed 18th-century Royal Court Theatre of Drottningholm was re-created. A heroic prince (Josef Köstlinger) has been enlisted by the Queen of the Night (Birgit Nordin) to rescue her daughter, the beautiful Pamina (Irma Urrila), from her evil father, Sarastro (Ulrik Cold). The music is sublime, and the film is stunning to look at with gorgeous cinematography by Bergman favorite Sven Nykvist. “THE MAGIC FLUTE is magical indeed, charming and musically fulfilling, a perfect commingling of one form of art and another.” - Charles Champlin, Los Angeles Times.


THE DEVIL’S EYE
DJÄVULENS ÖGA
1960, Janus Films, 84 min, Sweden, Dir: Ingmar Bergman

This sophisticated fantasy - the last Bergman film to be shot by the great Gunnar Fischer - is an engaging satire on petit-bourgeois morals. The Devil suffers from an inflamed eye, which he informs Don Juan (Jarl Kulle) can only be cured if a young woman’s chastity is breached. So the legendary lover ascends from Hell and sets about seducing the innocent pastor’s daughter, Britt-Marie (Bibi Andersson). Bergman’s dialogue bubbles with an irony reminiscent of his beloved Molière, and the music of Domenico Scarlatti (played by Bergman’s fourth wife, Käbi Laretei) underscores the joy that invests much of the film.


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