ARABIAN NIGHTS
IL FIORE DELLE MILLE E UNA NOTTE
1974, Park Circus/MGM, 130 min, Italy/France, Dir: Pier Paolo Pasolini

One of Pasolini’s greatest achievements, ARABIAN NIGHTS is a shimmering, golden dream of a film, drunk on its own beauty, where story after story unfolds like leaves in an ancient Persian manuscript. Equaled only by Wojciech Has’ THE SARAGOSSA MANUSCRIPT in its exquisite, otherworldly tone and intricate, puzzle-box structure, ARABIAN NIGHTS is simply unforgettable. With Tessa Bouche, Ines Pellegrini, Ninetto Davoli, Franco Citti and Franco Merli.


BILL & TED’S BOGUS JOURNEY
1991, Park Circus/MGM, 93 min, USA, Dir: Peter Hewitt

As their saga continues, Bill & Ted have created a utopia through music - but it’s threatened when a malcontent (Joss Ackland) sends evil robotic versions of the two back through time to sabotage their pivotal performance at the San Dimas Battle of the Bands. Alex Winter, Keanu Reeves and George Carlin reprise their roles in this even more surreal sequel to EXCELLENT ADVENTURE.


GATES OF THE NIGHT
PORTES DE LA NUIT
1946, Janus Films, 100 min, France, Dir: Marcel Carné

Director Marcel Carné and collaborator Jacques Prévèrt, the toast of French cinema in 1945 with the release of the epic CHILDREN OF PARADISE, found themselves in the doghouse with critics and audiences alike when they released their follow-up, GATES OF THE NIGHT. A troubled production history (original stars Jean Gabin and Marlene Dietrich bailed out), a contentious storyline (no one was happy with the pointed references to the black market that had sprung up after the Liberation) and the film’s unremitting darkness raised eyebrows and hackles when it was released in 1946. Seventy years later, however, the film can be seen as a singular, masterful work, filled with colorful and mysterious performances - including a young and highly appealing Yves Montand. With Pierre Brasseur, Serge Reggiani, Jean Vilar and Nathalie Nattier.


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