1957, Sony Repertory, 100 min, UK/USA, Dir: Ken Hughes

Harry Miller (Victor Mature), an American GI married to a British war bride (Gene Anderson), signs on as a long-haul lorry driver and finds the business rife with corruption, especially gangster Joe Easy (Patrick Allen). When Easy’s girl Lynn (Diana Dors) takes a shine to Harry, his sturdy moral fiber is stretched every which way. A well-wrought and amusingly sleazy British version of Hollywood trucking tales like THEY DRIVE BY NIGHT and THIEVES’ HIGHWAY, this satisfies the craving of noir addicts with its underworld misfits, shadowy atmospherics and voluptuous Dors doing all she can to mess with Mature’s marriage. With a thrilling climax right out of THE WAGES OF FEAR.

1948, Janus Films, 96 min, USA, Dir: Jules Dassin

A landmark crime movie, producer Mark Hellinger's hardboiled tribute to his beloved Big Apple peels away all the stylistic melodramatics of noir to present Hollywood's first true policier. The scrupulously researched script by Malvin Wald and vivid location photography by William Daniels (an Oscar winner) combined to make this one of the most influential Hollywood films of the 1940s. With Barry Fitzgerald, Howard Duff, Don Taylor, Dorothy Hart and a very scary Ted de Corsia.

1948, Walt Disney Pictures, 86 min, USA, Dir: William Dieterle

This poignant love story focuses on struggling artist Joseph Cotten as he gradually falls in love with Jennie (Jennifer Jones), a strange young woman he meets in Central Park. As Cotten occasionally encounters her over a series of months, she seems to be maturing before his eyes - and he slowly comes to realize that his muse is the restless spirit of a long-dead woman.

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