1952, Janus Films, 107 min, Sweden, Dir: Ingmar Bergman

An early precursor to many Bergman classics - indicated by both its flashback structure and comedic timing - WAITING WOMEN is a charming film about three sisters who deliver personal accounts of the state of their marriages, ranging from brutally honest to genuinely funny and sweet. Known primarily for a hilarious flashback sequence involving a broken elevator, the film’s more subtle humor is just as memorable, pointing towards the minimalism and restraint that Bergman would demonstrate throughout his career.

1948, Warner Bros., 81 min, USA, Dir: Fred Zinnemann

A dark masterpiece made during the Metro tenure of producer Dore Schary, this is emblematic film noir. Psychically scarred Robert Ryan stalks war hero Van Heflin from sylvan Big Bear Lake to the nocturnal underbelly of postwar downtown L.A. Robert Surtees’ stunning cinematography captures the dark side of the postwar boom, as well as superb performances from the entire cast, including a jaw-droppingly gorgeous 20-year-old Janet Leigh and a revelatory Mary Astor as a blowsy, street-wise hooker. Director Fred Zinnemann’s only foray into film noir is one of the best of the classic era.

1951, Park Circus, 75 min, USA, Dir: Joseph Losey

George LeMain (John Barrymore Jr.) “celebrates” his 16th birthday by witnessing his father (Preston Foster) stoically absorb a dreadful beating from a mysterious local operator. The youngster seeks answers - and revenge - during an all night odyssey through downtown L.A., making this a truly noir coming-of-age tale. Losey abandoned the film during editing, fleeing to England after being subpoenaed by HUAC; co-screenwriters Hugo Butler and Ring Lardner Jr. adapted Stanley Ellin’s novel Dreadful Summit but were denied credit and blacklisted (along with supporting players Dorothy Comingore and Howland Chamberlain).

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