SONG OF GRANITE
2017, Oscilloscope, 104 min, Ireland/Canada, Dir: Pat Collins

This SXSW favorite revolves around the life of the great traditional Irish singer Joe Heaney. The harsh landscape combined with the myths, fables and songs of his Connemara childhood helped shape this complex and fascinating character. Enigmatic and complex, Heaney’s devotion to his art came at a huge personal cost. Beautifully shot in B&W, this intense exploration of music and song features performances from Lisa O'Neill, Damien Dempsey, Seamus Begley and sean nós singers Micheál O'Confhaola and Pól Ó Ceannabháin.


LA NOTTE
The Night
1961, Rialto Pictures, 122 min, United States , Dir: Michelangelo Antonioni

The middle film in director Michelangelo Antonioni’s acclaimed early-1960s trilogy of alienation puts an upper-class marriage under the microscope as it disintegrates. After successful author Marcello Mastroianni and his wife (Jeanne Moreau) visit a hospital to see a dying friend, they go to a party where each meets a flirtatious guest (Giorgio Negro and Monica Vitti) and is forced to confront the emptiness of their relationship. A Berlin Film Festival Golden Bear winner (and one of Stanley Kubrick’s favorite films).


DEATH OF A SALESMAN
1951, Sony Repertory, 105 min, Finland , Dir: Laslo Benedek

Stanley Kramer produced this adaptation of Arthur Miller's landmark play, in which aging failure Willy Loman (Fredric March) looks back on his life as it slips away. A stellar supporting cast that includes Kevin McCarthy, Mildred Dunnock and Cameron Mitchell brings Miller's bleak vision to life, aided by director Laslo Benedek's evocative and claustrophobic visual style. Benedek, March and McCarthy each won Golden Globes, as did Franz Planer for the film’s B&W cinematography.


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