TULLY
2018, Focus Features, 95 min, USA, Dir: Jason Reitman

This new comedy from Academy Award-nominated director Jason Reitman (UP IN THE AIR) and Academy Award-winning screenwriter Diablo Cody (JUNO) centers on Marlo (Academy Award winner Charlize Theron), a mother of three including a newborn. When Marlo is given a night nanny by her brother (Mark Duplass), she is initially hesitant to accept the extravagance but comes to form a unique bond with the thoughtful, surprising and sometimes challenging young nanny named Tully (Mackenzie Davis).


THE OTHER SIDE OF THE WIND
2018, Netflix, 122 min, USA/France/Iran, Dir: Orson Welles

Legendary director Jake Hannaford (John Huston) celebrates his 70th birthday - which also happens to be the final day of his life - with a Hollywood party to end all Hollywood parties, a gathering in which the aging filmmaker confronts friends, enemies and his own demons in a whirlwind of vibrant celebration and scathing bitterness. Director Orson Welles calls back to his own CITIZEN KANE with another portrait of a larger-than-life titan, while also riffing on European art cinema of the era and looking forward to the new Hollywood that was already eclipsing his own. Peter Bogdanovich stars as a fictionalized version of himself - a hot young director surpassing his idol in terms of success and prestige - as do other major filmmakers and historians like Paul Mazursky, Dennis Hopper, Henry Jaglom and Joseph McBride. A love and hate letter to Hollywood that still looks modern more than 40 years after Welles began it, THE OTHER SIDE OF THE WIND is a late masterpiece by one of the greatest directors who ever lived.


BURNING
BEONING
2018, Well Go USA, 148 min, South Korea, Dir: Lee Chang-dong

BURNING is the searing examination of an alienated young man, Jongsu (Ah-in Yoo), a frustrated introvert whose already difficult life is complicated by the appearance of two people in his orbit: Haemi (newcomer Jong-seo Jun), a spirited woman who offers romantic possibility, and Ben (Steven Yeun, “The Walking Dead,” SORRY TO BOTHER YOU), a wealthy and sophisticated young man whom Haemi brings back from a trip. When Jongsu learns of Ben’s mysterious hobby and Haemi suddenly disappears, his confusion and obsessions begin to mount, culminating in a stunning finale. A FIPRESCI Prize winner at the 2018 Cannes Film Festival.


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