1975, Warner Brothers, 183 min, Dir: Stanley Kubrick

Winner of four Academy Awards, including one for John Alcott’s marvelous cinematography (the all-candlelit interiors must be seen to be believed), BARRY LYNDON stars Ryan O’Neal as Thackeray’s flawed 18th-century soldier of fortune, struggling to find his place in a rigidly structured social hierarchy. Kubrick re-creates a bygone romantic era with a bittersweet wistfulness and a wealth of nuance and realistic detail. With Marisa Berenson, Patrick Magee, Hardy Kruger.

1974, Paramount, 200 min, USA, Dir: Francis Ford Coppola

Francis Ford Coppola expands upon and deepens the themes of THE GODFATHER with this ambitious sequel. The film follows mob chieftain Al Pacino as he ruthlessly consolidates power in the Las Vegas gambling world of the late 1950s, while simultaneously flashing back to father Robert De Niro’s brutal induction into the Mafia in 1900s Sicily and New York. Most of the cast returned from the first film, with superb help from Gaston Moschin, Leopoldo Trieste and Lee Strasberg as Jewish crime boss Hyman Roth. Coppola’s parallel structure allows him to compare and contrast two American eras and consider the political and cultural changes of the 20th century, an approach that makes THE GODFATHER PART II an epic work of art as well as one of the most entertaining crime movies ever made.

1972, Paramount, 175 min, USA, Dir: Francis Ford Coppola

Al Pacino, James Caan, Diane Keaton, Talia Shire and Robert Duvall join Marlon Brando, who gives an unforgettable, career-reviving performance as Don Vito Corleone. When a mob war breaks out and Don Vito is seriously wounded, returning veteran Michael (Pacino), previously uninvolved in the family "business," is the only one cool and collected enough to pull the irons out of the fire.

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