THE ROARING TWENTIES
1939, Warner Bros., 106 min, USA, Dir: Raoul Walsh

Raoul Walsh burst onto the screen in his first Warner Bros. directorial outing with this sensational gangster tale starring James Cagney and Humphrey Bogart as World War I vets who return to an unwelcoming American society and head straight for the criminal life in a world of bootlegging and shady nightclubs. With a script from crackerjack Warner Bros. writing team Jerry Wald and Richard Macauley, and produced by the incorrigible erstwhile journalist Mark Hellinger, this picture bristles with suspense, smart-aleck humor and Walsh's great comic and dramatic timing. The triple threat of Cagney, Bogey and Walsh make for nonstop action and fun. A terrific round-up and look-back at the great Warner Bros. gangster yarns of the 1930s, this film says it all about how the studio kept in touch with the hard-knock life of the times. Also starring the inimitable Gladys George as Cagney's saloon-owning friend and Pricilla Lane as the woman who just can't love Cagney the way he wants. A blast of energy that is pure Walsh!


NIGHTS OF CABIRIA
LE NOTTI DI CABIRIA
1957, Rialto Pictures, 125 min, Italy, Dir: Federico Fellini

Giulietta Masina won the Best Actress Award at the Cannes Film Festival for her unforgettable portrayal of a Roman prostitute named Cabiria who endures life’s tragedies with a heartbreaking, almost Chaplin-esque innocence and resilience. Winner of the Best Foreign-Language Film Oscar, NIGHTS was later remade as the stage musical and film SWEET CHARITY - but the original remains unbeatable. In Italian with English subtitles.


HIGH SIERRA
1941, Warner Bros., 100 min, USA, Dir: Raoul Walsh

Script by John Huston and W.R. Burnett, from Burnett’s novel. The quintessential gangster romance, from the pen of one of America’s most important crime writers. Humphrey Bogart plays Mad Dog Earle, an outlaw looking for one last score, sidetracked by love, hounded by inescapable fate. With the incomparable Ida Lupino and Joan Leslie, both taking excellently to Walsh’s rugged and fast-paced direction. Remade twice, as COLORADO TERRITORY and I DIED A THOUSAND TIMES.


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