BEAUTIFUL BOY
2018, Amazon Studios, 120 min, USA, Dir: Felix Van Groeningen

Belgian director Felix Van Groeningen’s (THE BROKEN CIRCLE BREAKDOWN) moving drama is based on the memoirs Beautiful Boy by David Sheff and Tweak by his son, Nic Sheff, offering two points of view on the heartbreaking and inspiring experience of survival and recovery in a family coping with addiction over many years. As father and son, Steve Carell and Timothée Chalamet lead an outstanding cast that includes Maura Tierney and Amy Ryan. “Scrupulous and tenderly wounding - a drama that seizes and holds you. It’s a compelling movie whether or not it happens to speak to you personally, yet you can bet that a lot of people who have stood by and watched members of their families succumb to drug addiction are going to want to see it.” - Owen Gleiberman, Variety.


COLD WAR
ZIMNA WOJNA
2018, Amazon Studios, 88 min, Poland/France/UK, Dir: Pawel Pawlikowski

Pawel Pawlikowski (2015 Oscar winner IDA) earned the Best Director award at the 2018 Cannes Film Festival for this passionate romance between a man and a woman who meet in the ruins of postwar Poland, broadly inspired by the filmmaker’s parents. Wiktor (Tomasz Kot) is an even-tempered musician grounded in the urban intelligentsia and Zula (Joanna Kulig) is a charismatic young singer with a mysterious past and a seemingly limitless future - a pair who are fatefully mismatched and yet condemned to each other. Shot in black-and-white and set against the background of the Cold War in 1950s Poland, Berlin, Yugoslavia and Paris, it’s the tale of a couple separated by politics, character flaws and unfortunate twists of fate - an impossible love story in impossible times.


CRYSTAL SWAN
KHRUSTAL
2018, 93 min, Belarus/USA/Germany/Russia, Dir: Darya Zhuk

In post-Soviet Belarus, unemployed raver Velya (Alina Nasibullina) dreams of emigrating to the U.S. After forging proof of employment to win a much-coveted visa, her dream appears within reach … but the American consulate wants to call the bogus number she’d provided. Velya's only solution is to travel to a small factory town and endure a week in the cramped apartment on the other end of the phone line, whose family matriarch refuses to lie to the authorities but will allow Velya to do so. But the scheme soon upends both the family's and the town’s order, with potentially disastrous consequences for all.


Syndicate content