HIS PICTURE IN THE PAPERS
1916, 62 min, USA, Dir: John Emerson

Douglas Fairbanks plays Pete Prindle, the son of a highly successful processed food magnate in this sassy satire about fame and advertising that, 100+ years later, still feels contemporary. Penned by the one and only Anita Loos (WILD AND WOOLLY, GENTLEMEN PREFER BLONDES).


MADE IN U.S.A.
1966, Rialto Pictures, 85 min, France, Dir: Jean-Luc Godard

Paula Nelson (Anna Karina, in her final Godard film) arrives in Atlantic-Cité from Paris to find out that her former lover and colleague has died. As she investigates, bodies start dropping amid encounters with a gangster and the waters just keep getting muddier. Keep your eyes peeled for a brief but memorable appearance by singer Marianne Faithfull.


INSIGNIFICANCE
1985, Hanway Films, 109 min, UK, Dir: Nicolas Roeg

This adaptation of Terry Johnson’s play brings together four of the most iconic personalities of the 20th century in a thought-provoking meditation on fame, power and the unknowability of the human soul. As she is filming a movie in New York City, Marilyn Monroe (Theresa Russell) visits Albert Einstein (Michael Emil) as Joe DiMaggio (Gary Busey) and Senator Joe McCarthy (Tony Curtis) circle around them. Roeg’s non-linear approach to the story opens fascinating windows into the characters of the actress, the professor, the ballplayer and the senator, and this speculative drama earned the Technical Grand Prize at the 1985 Cannes Film Festival.


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