HOCUS POCUS
1993, Buena Vista Pictures, 96 min, USA, Dir: Kenny Ortega

Over 300 years ago, the Sanderson sisters (Bette Midler, Sarah Jessica Parker and Kathy Najimy) were executed in Salem, Massachusetts, for witchcraft, but they swore to return. On Halloween, new kid in town Max (Omri Katz) lights a cursed candle that resurrects the witches, who seek to steal the lives of Salem's children. Now Max, his sister Dani, his crush Alison and Thackery Binx, a child who was turned into a cat by the witches, must stop the evil before it's too late.


CHARLIE AND HANNAH’S GRAND NIGHT OUT
CHARLIE EN HANNAH GAAN UIT
2017, 75 min, Belgium, Dir: Bert Scholiers

Charlie (Evelien Bosmans) is witty, inaccessible and, as she puts it, “fundamentally dialectic.” Hannah (Daphne Wellens) is chatty, high-strung and constantly love-struck. They are enjoying a night on the town when one of them discovers a magical candy, and suddenly body parts can talk, pineapples can fly and the two young women can traverse the galaxy with ease. A playfully surreal look at the neuroses and intoxicating possibilities of life at 26.


MIRACLE
STEBUKLAS
2017, 91 min, Lithuania, Dir: Egle Vertelyte

Director Egle Vertelyte’s feature debut, which screened in the Discovery section at the Toronto International Film Festival this year, tells of a pig farmer struggling to save her farm and navigate the new world of Lithuania shortly after the fall of communism. The titular miracle occurs as a seemingly random American shows up offering to save the farm, but his intentions come into question as the workers and townspeople discover things are far more complicated. A melancholy but hilarious film (much in the tradition of working-class-friendly filmmaker Aki Kaurismäki) about an incredibly strong and driven woman trying to navigate this strange new world, and the creeping, confusing darkness of impending capitalism. Gorgeously shot in 4x3 Academy ratio and jam-packed with wonderfully humanist yet purposefully dry performances, MIRACLE is very nearly its namesake.


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