GATOR
1976, Park Circus/MGM, 115 min, USA, Dir: Burt Reynolds

Burt Reynolds directs and stars in this lively action sequel to WHITE LIGHTNING. As Gator McKlusky, he is blackmailed by federal agents to betray his friend - and local crime czar - Bama McCall (Jerry Reed). With an incompetent federal agent (Jack Weston) and a TV reporter (Lauren Hutton) following Gator’s every move, what follows are car and boat chases galore in the backwaters of the "good ol' boy" American South. Reynolds proves a natural in his feature debut behind the camera, getting terrific performances from such novice actors as C&W singer Reed.


KILL!
KIRU
1968, Janus Films, 114 min, Japan, Dir: Kihachi Okamoto

In this pitch-black action comedy, a pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels under siege at a remote mountain cabin. Based on the same source novel as Akira Kurosawa’s SANJURO, KILL! playfully tweaks samurai film convention, borrowing elements from established chanbara classics and seasoning them with a little Italian Western.


SWORD OF DOOM
DAIBOSATSU TOGE
1966, Janus Films, 120 min, Japan, Dir: Kihachi Okamoto

Director Kihachi Okamoto made a slew of great films, including KILL!, DESPERADO OUTPOST, AGE OF ASSASSINS, SAMURAI ASSASSIN and THE HUMAN BULLET – to name only a few! – but his ultimate masterwork is this uncompromising samurai film. It is a riveting, desolate picture, anchored by a mesmerizing portrayal from Tatsuya Nakadai as paranoid killer Ryunosuke Tsukue, an outcast from his family and a hunted man recruited by the notorious Shinsengumi band of assassins. There have been many movie renditions of Kaizan Nakazato’s popular novel The Great Boddhisatva Pass since it first appeared 70-plus years ago, but Okamoto’s version in ashen black-and-white ’Scope best captures the nihilistic netherworld of the sociopathic swordsman. Masaru Sato’s music is at the pinnacle of a multitude of great Japanese movie scores from the 1960s. The supporting cast, including Toshiro Mifune, Michiyo Aratama and Yuzo Kayama, are all excellent. Screenwriter Shinobu Hashimoto (who co-wrote many of Akira Kurosawa’s masterpieces) provides an expert distillation, going back


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