CRISS CROSS
1949, Universal, 87 min, USA, Dir: Robert Siodmak

When he died in 1947, producer Mark Hellinger had just begun pre-production on this crime-infected love story. Thanks to the inspired vision of director Siodmak, CRISS CROSS now stands as perhaps the most darkly poetic rendering of amour fou in all film noir. Burt Lancaster and Dan Duryea plot a daring heist, while vying for the affections of sensual Yvonne DeCarlo. Remade by Stephen Soderbergh as THE UNDERNEATH.


THE SUSPECT
1944, Universal, 85 min, USA, Dir: Robert Siodmak

Timid tobacconist Philip Marshall (Charles Laughton) develops a friendship with a poor young woman (Ella Raines), igniting his wife’s shrewish jealousy. Despite the Edwardian-era decorum, THE SUSPECT is a classic noir - one of Siodmak’s best - featuring Laughton’s memorable portrait of a repressed and lonely man who will do anything to protect the unexpected joy he’s found too late in his life. Costarring Stanley Ridges and Rosalind Ivins.


THE KILLERS (1946)
1946, Universal, 103 min, USA, Dir: Robert Siodmak

The CITIZEN KANE of film noir that begins with the ending - "I did something wrong ... once" - and moves backward through interweaving flashbacks to reveal the layer of double crosses that led to the opening scene. The script by Anthony Veiller (with an uncredited assist from John Huston) takes the first 10 minutes from Hemingway's short story and then spirals into the noir netherworld that Robert Siodmak depicted better than any other director. The smoldering sexuality between Burt Lancaster and Ava Gardner catapulted both to super-stardom. With Edmond O’Brien and Jeff Corey.


Syndicate content