THE FILE ON THELMA JORDON
1950, Paramount, 100 min, Dir: Robert Siodmak

Barbara Stanwyck is an ambiguous femme fatale who ensnares a lovelorn assistant D.A. (Wendell Corey) in a murder scheme. Ketti Frings’ screenplay imbues a traditional noir recipe with a genuine sense of longing and loss. This was Siodmak’s next-to-last film before abandoning Hollywood, and we’re thrilled to give it a rare theatrical screening. With Paul Kelly, Stanley Ridges, and Richard Rober.


CRISS CROSS
1949, Universal, 87 min, USA, Dir: Robert Siodmak

When he died in 1947, producer Mark Hellinger had just begun pre-production on this crime-infected love story. Thanks to the inspired vision of director Siodmak, CRISS CROSS now stands as perhaps the most darkly poetic rendering of amour fou in all film noir. Burt Lancaster and Dan Duryea plot a daring heist, while vying for the affections of sensual Yvonne DeCarlo. Remade by Stephen Soderbergh as THE UNDERNEATH.


THE SUSPECT
1944, Universal, 85 min, USA, Dir: Robert Siodmak

Timid tobacconist Philip Marshall (Charles Laughton) develops a friendship with a poor young woman (Ella Raines), igniting his wife’s shrewish jealousy. Despite the Edwardian-era decorum, THE SUSPECT is a classic noir - one of Siodmak’s best - featuring Laughton’s memorable portrait of a repressed and lonely man who will do anything to protect the unexpected joy he’s found too late in his life. Costarring Stanley Ridges and Rosalind Ivins.


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