THEY LIVE BY NIGHT
1949, Warner Bros., 92 min, USA, Dir: Nicholas Ray

Nicholas Ray’s directorial debut is a deeply felt tale of young love struggling to survive in a cruel, unforgiving world. Farley Granger and Cathy O’Donnell are memorable as star-crossed lovers Bowie and Keechie in this darkly romantic and melancholy adaptation of Edward Anderson’s Depression-era crime classic Thieves Like Us. In Ray’s hands, it’s Romeo and Juliet for the film noir era.


THE LUSTY MEN
1952, Warner Bros., 113 min, USA, Dir: Nicholas Ray

In this story of an indomitable woman and the men who will risk anything to have her, rodeo star Jeff McCloud (Robert Mitchum) hobbles back home to Oklahoma after a series of accidents. But when ambitious young rider Wes Merritt (Arthur Kennedy) hires McCloud as coach, the younger man's wife, Louise (Susan Hayward), is the lure that attracts McCloud. Louise is willing to allow McCloud's advances if it will help her husband; however, when the unstable triangle of passion inevitably leads to a confrontation between Merritt and McCloud, the aging rider enters one last rodeo just to thwart Merritt's ambition - but at a terrible price.


BORN TO BE BAD
1950, Warner Bros., 94 min, USA, Dir: Nicholas Ray

Joan Fontaine looks sweet and innocent on the surface, but after she steals millionaire Zachary Scott away from another woman, she continues an illicit affair with novelist Robert Ryan. Things just get more complicated from there in this energetic, daring and slightly nasty little melodrama. One of Nicholas Ray's best early films, and certainly his most audacious until JOHNNY GUITAR. With Mel Ferrer - and the original deleted ending!


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