THE NAKED CITY
1948, Janus Films, 96 min, USA, Dir: Jules Dassin

A landmark crime movie, producer Mark Hellinger's hardboiled tribute to his beloved Big Apple peels away all the stylistic melodramatics of noir to present Hollywood's first true policier. The scrupulously researched script by Malvin Wald and vivid location photography by William Daniels (an Oscar winner) combined to make this one of the most influential Hollywood films of the 1940s. With Barry Fitzgerald, Howard Duff, Don Taylor, Dorothy Hart and a very scary Ted de Corsia.


NIGHT AND THE CITY
1950, 20th Century Fox, 96 min, UK/USA, Dir: Jules Dassin

One of the most baroque and bleak film noirs of them all, its greatness - besides Richard Widmark's devastating portrayal of the maniacal, pathetic con man and small-time promoter Harry Fabian - is its stubborn refusal to allow even the tiniest ray of light into Harry's headlong descent into hell. Featuring an unforgettable supporting rogue's gallery, including Googie Withers, Herbert Lom, Francis L. Sullivan, Mike Mazurki, Stanislaus Zbyszko - and the gorgeous Gene Tierney (LAURA). With a screenplay by Jo Eisinger from the novel by Gerald Kersh.


THE CANTERVILLE GHOST
1944, Warner Brothers, 95 min, Dir: Jules Dassin

This fantasy-comedy, adapted from Oscar Wilde’s first published short story, features one of Charles Laughton’s most delightful performances in the title role. When U.S. servicemen are stationed at the Canterville estate during WWII, one of them (Robert Young) learns he is a distant relative of the ghost that haunts the castle – and may be able to put him to rest with an act of bravery. With Margaret O'Brien.


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