THE ASSASSIN LIVES AT 21
L’ASSASSIN HABITE A 21
1942, Janus Films, 84 min, France, Dir: Henri-Georges Clouzot

Inspector Wems is back in this claustrophobic murder mystery by first-time director Henri-Georges Clouzot. This time, it’s Clouzot’s show all the way, as the director finds his stride in giving his star Pierre Fresnay room to be completely exasperated by the chaos surrounding him. A superb and eccentric thriller from the famed director of DIABOLIQUE and THE WAGES OF FEAR.


MANON
1949, 96 min, Dir: Henri-Georges Clouzot

One of director Henri-Georges Clouzot’s most neglected masterpieces and winner of the Golden Lion at the Venice Film Festival in 1949, MANON was his blistering response to the hypocritical reaction in France to LE CORBEAU. Updating Abbe Prevost’s classic novel to postwar France, the film stars newcomer Cécile Aubrey (sex-kitten precursor to Brigitte Bardot) as a prostitute who is condemned as a collaborationist for sleeping with Germans during the war. She’s rescued from the noose by a smitten resistance fighter (Michel Auclair) – but once the couple flees from Normandy, Manon’s desire for the good things in life leads her directly to Parisian black markets and brothels, a debauched course that can result only in self-destruction. With Serge Reggiani. In French with English subtitles.


HENRI-GEORGES CLOUZOT’S INFERNO
2009, Flicker Alley, 94 min, France, Dir: Henri-Georges Clouzot, Serge Bromberg, Ruxandra Medrea

Among the most legendary unfinished films in world cinema, INFERNO was extinguished after three weeks of shooting in 1964, leaving behind 15 hours of stunning imagery unseen until now. Noted preservationist Serge Bromberg and co-director Ruxandra Medrea have reconstructed Henri-Georges Clouzot’s tale of all-consuming jealousy starring Romy Schneider and Serge Reggiani, bridging gaps with interviews, storyboards and re-enactments. The resulting hybrid of documentary and narrative film is a hypnotic look at the intersection of madness and creativity. In French with English subtitles.


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