Movies on the Big Screen as They Were Meant To Be Seen.
Dir: William Cameron Menzies
Director William Cameron Menzies and producer Sam Wood brought this noir-stained B-masterpiece to the screen as a searing character study accentuated by brilliant production design and the deep-focus photography by Rudolph Maté. Two close friends (Paul Lukas, Morris Carnovsky) and their families become enmeshed in a Nazi-wrought nightmare before World War II. Also starring Carl Esmond, Peter Van Eyck and K.T. Stevens (Gloria Wood).
Dir: Charles Vidor
Rita Hayworth is a popular hoofer at Gene Kelly’s Brooklyn nightclub, but has always dreamed of stardom on Broadway; opportunity knocks when a rich publisher who’d been in love with her grandmother makes her a magazine cover girl – but will she turn her back on her old friends? With gorgeous Technicolor cinematography, terrific dance numbers and comic relief from Phil Silvers and Eve Arden, COVER GIRL is nonstop entertainment, and propelled Hayworth and Kelly to stardom. Originally opened at Radio City Music Hall during Easter week, 1944.
No mere biopic or conventional period piece, director Carl Theodor Dreyer's masterpiece is one of the landmarks of silent cinema. Renee Falconetti is heartbreaking as the legendary young woman who died for God and France in 1429. Dreyer's closeup-driven style brutally forces the audience to share her pain - no director, not even Bergman, has ever been as conscious of the camera's ability to explore the mysteries of the human face.