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1935, Warner Bros., 99 min, USA, Dir: George Stevens

George Stevens left the world of B-movie comedies for A-list prestige fare with this heartfelt adaptation of Booth Tarkington’s novel. Katharine Hepburn gives one of her most subtle performances as an ambitious young woman seeking to escape her small-town background; although the character is superficially unappealing, Hepburn and Stevens allow the viewer to empathize with her in all her complexity. Solid supporting work from Fred MacMurray is an additional asset in this impeccably mounted drama. Co-starring Hattie McDaniel (GONE WITH THE WIND), who nearly steals the film.

1952, Warner Bros., 75 min, USA, Dir: John Reinhardt

An unemployed photographer (Dan Duryea) returns to his Bunker Hill apartment the morning after a drinking binge and is greeted by his wife and daughter Nancy, who are leaving him for good. A heartbreaking, suspenseful odyssey transpires on the streets of downtown L.A. with a desperate Duryea, in one of his finest screen performances, attempting to save both his family and himself - with the help of a lively young boy in need of a father figure, who accidentally crosses paths with Duryea. Beautifully helmed by John Reinhardt with Mary Anderson, Gordon Gebert and Ross Elliott.

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