VOGUES OF 1938
1937, Westchester Films Inc., 109 min, USA, Dir: Irving Cummings

Gorgeously filmed and costumed, with first-rate performances and a sparkling script this romantic comedy --set in 1937's New York City-- has it all: high fashion, a winsome runaway bride, The Cotton Club's singers and dancers, snobs of all stripes laid low, hazardous rollerskating tricks, and Max Factor's makeup magic ... all in glowing color. Don't miss the chance to see this nearly forgotten film on the big screen!

Truly a feast for the eyes, this musical (an Oscar nominee for Best Art Direction) makes stunning use of Technicolor to show off some of the most beautiful costumes of the 1930s. Runaway bride Joan Bennett leaves wealthy Alan Mowbray at the altar to become a model, eventually falling for fashion designer Warner Baxter. As a rival designer, Mischa Auer is an absolute delight.


DOCTOR X
1932, Warner Bros., 76 min, USA, Dir: Michael Curtiz

A journalist (Lee Tracy) follows a trail of bodies left by the cannibalistic Moon Killer, eventually arriving at the medical academy run by Dr. Xavier (Lionel Atwill). With no shortage of suspects among his staff, Doctor X and the reporter race to identify the culprit before lovely Joan (Fay Wray) becomes his next victim. Curtiz and many of his cast and crew members soon would reteam for another two-color Technicolor thriller, MYSTERY OF THE WAX MUSEUM.


MYSTERY OF THE WAX MUSEUM
1933, Warner Bros., 77 min, USA, Dir: Michael Curtiz

Remade in 1953 as HOUSE OF WAX with Vincent Price, this horror thriller was one of the last films shot in two-color Technicolor. Lionel Atwill stars as Ivan Igor, a crippled sculptor who opens a wax museum in New York City peopled by figures that are disturbingly lifelike. As a woman who nearly winds up on display as Marie Antoinette, Fay Wray proves she doesn’t need a giant ape to scream convincingly.


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