BIG FISH
2003, Sony Pictures, 120 min, Dir: Tim Burton

In the heartwarming BIG FISH, director Tim Burton brings his inimitable imagination on a journey that delves deep into a fabled relationship between a father and his son. Edward Bloom (Albert Finney) has always been a teller of tall-tales about his oversized life as a young man (Ewan McGregor), when his wanderlust led him on an unlikely journey from a small-town in Alabama, around the world and back again. His mythic exploits dart from the delightful to the delirious as he weaves epic tales about giants, blizzards, a witch and conjoined-twin lounge singers. With his larger-than-life stories, Bloom charms almost everyone he encounters except his estranged son, Will (Billy Crudup). When his mother (Jessica Lange) tries to reunite them, Will must learn how to separate fact from fiction as he comes to terms with his father's great feats and great failings.


DIVA
1981, Rialto Pictures, 123 min, France, Dir: Jean-Jacques Beineix

Director Jean-Jacques Beineix scored a bull’s-eye internationally at arthouse box offices with his debut film, a deftly constructed soufflé of a suspense thriller with a comic, tongue-in-cheek tone. Postman and opera fanatic Jules (Frederic Andrei) surreptitiously records his idol, diva Cynthia (Wilhemenia Wiggins Fernandez), and is so overcome by her performance that he steals her costume from her dressing room, which causes a scandal. Later, while on his rounds, he encounters two thugs beating up a woman and is the unwitting recipient of a blackmail tape that the victim sneaks into his letter bag. Soon the chase is on, with not only the hoods (including Dominic Pinon) but also Taiwanese music bootleggers hoping to steal his opera cassette. Before things come to a head, Jules befriends singer Cynthia and is aided in his escape from danger by a teenage Vietnamese street girl and a sophisticated mystery man (Richard Bohringer). "…One of the best thrillers of recent years but, more than that, it is a brilliant film, a visual extravaganza that announces the considerable gifts of its young director, Jean-Jacques Beineix…Filled with so many small character touches, so many perfectly observed intimacies, so many visual inventions, from the sly to the grand, that the thriller plot is just a bonus… Pauline Kael has compared Beineix to Orson Welles and, as Welles so often did, he has made a movie that is a feast to look at, regardless of its subject." – Roger Ebert, Chicago Sun-Times


THE NICE GUYS
2016, Warner Bros., 116 min, USA, Dir: Shane Black

Set in 1970s Los Angeles, down-on-his-luck private eye Holland March (Ryan Gosling) and hired enforcer Jackson Healy (Russell Crowe) must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power. The latest collaboration between writer-director Shane Black and producer Joel Silver serves up a mix of thrills and laughs that’s as entertaining as their first, LETHAL WEAPON.


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