THE SANDLOT
1993, 20th Century Fox, 101 min, USA, Dir: David Mickey Evans

Like THE SHAWSHANK REDEMPTION and A CHRISTMAS STORY, this is a great film, largely ignored upon release, that found life on television and DVD. Here’s your chance to see it on the big screen the way it was meant to be seen. David Mickey Evans (RADIO FLYER) directs his first feature film and knocks it out of the park. It’s sandlot baseball set in the summer of 1962, with Babe Ruth-autographed baseballs, best buddies and giant demon dogs named the Beast that live beyond the rickety home run fence. Geeky kid Scotty Smalls (Tom Guiry) moves to the San Fernando Valley with his parents and is unable to make friends until sandlot baseball hero Benny Rodriguez adds him to the team. Made up of all the magic little moments of childhood, when scary things really were over the fence and crazy drawn-in-the-dirt battle plans actually worked. Patrick Renna ("Ham") stands out in one of the best kid casts since THE BAD NEWS BEARS. "You're killing me, Smalls!" has become a catch phrase to many since. Also stars James Earl Jones.


TALES FROM THE HOOD
1995, Universal, 98 min, USA, Dir: Rusty Cundieff

Chill or be chilled! Executive produced by Spike Lee, this horror anthology with an African-American focus centers on a mortician (a wonderfully creepy Clarence Williams III) who regales a trio of would-be drug dealers with tales of the deceased at his funeral home. Crooked cops, gangbangers and racist politicians rub shoulders in these four stories to create a highly entertaining mix of terror, humor and social commentary. The solid ensemble cast includes David Alan Grier, Corbin Bernsen and Joe Torry.


ONE PLUS ONE
1968, ABKCO Films, 110 min, UK, Dir: Jean-Luc Godard

One of the pivotal and, arguably, most controversial works of legendary provocateur Jean-Luc Godard, the film alternates between reflections on contemporary politics and social issues of the late 1960s while providing an unprecedented view of The Rolling Stones’ creative process in the recording studio. Also released as SYMPATHY FOR THE DEVIL, this is the director’s preferred cut without the finished version of that famous song at the end.


Syndicate content