BLOOD AND BLACK LACE
SEI DONNE PER L’ASSASSINO
1964, AGFA, 88 min, Italy/France/Monaco, Dir: Mario Bava

This fiendishly simple story of models at a fashion salon being stalked by a gruesomely imaginative killer is often credited as the film that started the Italian giallo (sexy suspense thriller) craze that mushroomed in the 1960s and 1970s. Bava’s cast of characters is a fascinating catalogue of beautiful but flawed women and the men in their lives – self-seeking neurotics, alcoholics, addicts, lechers and psychotics. The director’s color palette is awesome to behold. With Eva Bartok, Cameron Mitchell. “…shares with FIVE DOLLS FOR AN AUGUST MOON and BAY OF BLOOD a crystallization of the director's worldview, where the tension between opulent surfaces and moral dislocation hint at a closer affinity with Antonioni than is usually perceived. … Not for nothing is his exquisite feel for design, décor, color, and movement tied to the endless cataloging of human sin, with beauty and ugliness, like desire and dread, forever leaking into one another.” – Fernando F. Croce, SlantMagazine.com.


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