THE HATEFUL EIGHT
2015, The Weinstein Company, 187 min, USA, Dir: Quentin Tarantino

For this wintery Western, writer-director Quentin Tarantino has marshaled an all-star cast including Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth and Bruce Dern. In post-Civil War Wyoming, a blizzard brings eight desperate characters - a combustible mix of bounty hunters, lawmen, criminals and ex-soldiers from both sides of the war - under the roof of stagecoach stopover Minnie's Haberdashery; it’s anybody’s guess who will make it out alive. Featuring glorious widescreen vistas and music by Ennio Morricone, Tarantino’s eighth film pulses with blood and betrayal.


PULP FICTION
1994, Park Circus/Miramax, 153 min, USA, Dir: Quentin Tarantino

Quentin Tarantino’s dazzling, nitro-fueled homage to 1930s crime fiction, Elvis Presley flicks, Los Angeles diners, Jean-Luc Godard, Jean-Pierre Melville and much more was easily the most audacious and exciting American film of the 1990s. The movie’s brilliant, against-type casting includes John Travolta (in a career-reviving performance), Samuel L. Jackson, Uma Thurman, Bruce Willis, Harvey Keitel, Eric Stolz, Maria de Medeiros, Tim Roth, Amanda Plummer, Christopher Walken and Ving Rhames. Nominated for seven Oscars and winner for Best Screenplay. Winner of LAFCA Awards for Best Picture, Actor (Travolta) and Screenplay (Tarantino and Roger Avary).


HARD EIGHT
1996, Paramount, 102 min, USA, Dir: Paul Thomas Anderson

Seasoned professional gambler Sydney (Philip Baker Hall) takes on a young homeless man (John C. Reilly) as his protégé after learning of his current struggles to raise money for his mother’s burial. Enveloped by the pulpy world of Reno casinos, both men soon become involved in murder, prostitution and kidnapping - vices that are all the more ominous once it becomes clear Sydney is hiding a devastating secret. Paul Thomas Anderson’s thrilling debut feature contains wonderful supporting performances by Gwyneth Paltrow and Samuel L. Jackson and offers a fresh, original study of themes that later occur throughout the director’s body of work.


Syndicate content