I AM CUBA
SOY CUBA
1964, Milestone Films, 141 min, Cuba/Soviet Union, Dir: Mikhail Kalatozov

Started only a week after the Cuban missile crisis, this film was designed to be Cuba’s answer to both Eisenstein’s POTEMKIN and Godard’s BREATHLESS. But I AM CUBA turned out to be something quite unique - a wildly schizophrenic celebration of Communist iconography, mixing Slavic solemnity with Latin sensuality. The plot, or rather plots, explore the seductive, decadent (and marvelously photogenic) world of Batista’s Cuba - deliriously juxtaposing images of wealthy American tourists with scenes of ramshackle slums. Cinematographer Sergei Urusevsky’s gravity-defying camera glides effortlessly through long, continuous shots, but beyond its bravura technical accomplishments, I AM CUBA succeeds in exploring the innermost feelings of the characters and their often desperate situations.


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